Shure PSM 600 P6TRE1 Wireless Personal Stereo Monitor

P6TRE3 Wireless System

• P6T Half-Rack Transmitter
• P6R Body-Pack Receiver
• E3 Earphones

• RF Frequency Range 626 - 662 MHz
• Frequency Selection 2 fixed per system; up to 10 compatible
• Audio Frequency Response 50 Hz - 15 kHz
• Transmission Range 91 m (300 ft.), environment dependent
• Total Harmonic Distortion .8% typical
• Signal to Noise Ratio 80 dB typical
• Channel Separation 35 dB typical

• RF Output Power 100 mW (+20 dBm)
• Modulation Limiter Internal peak limiter (>10:1 compression)
• Power Requirements 108 - 132 VAC, 50/60 Hz
• 216 - 264 VAC, 50/60 Hz (E-version)
• Maximum Input Level +25 dBu (clipping level)
• Input Connectors Neutrik XLR - 1/4 in. combo connectors
• Loop-out Connectors 1/4 in.
• Headphone Monitor Connectors 1/4 in. and 3.5 mm

• Power Requirements 9 VDC battery
• Battery Life 4 - 6 hours (volume dependent)
• Output Level +4 dBu 1% THD, RL =18 ohms
• Dimensions 111 mm (4.4 in.) by 64.5 mm (2.5 in.) by 31.9 mm (1.2 in.)
• Weight 209.8 g (7.4 oz.)
• DIP Switches Frequency Selection; Stereo/MixMode; High Frequency Boost; Limiter

Shure Personal Monitor Systems

All Shure PSM systems offer mono, stereo and MixMode^TM operation.

MixMode gives performers greater control over their monitor mix by turning the receiver into a 2-channel mixer. In MixMode, the performer receives two discrete channels of audio, just like in stereo. The difference is that each channel is sent to both the left and right earphone. The performer hears the two signals mixed together in each ear.

By adjusting the balance knob on the body-pack, performers can control the relative level of each signal, making one softer and the other louder in both ears.

For example, a performer may choose to have their vocals (or instruments) sent through one channel and the rest of the band sent through the other. Using the balance knob on the receiver, the performer can determine exactly how much of themselves they want to hear in the mix.

Musicians, in particular, enjoy the flexibility of MixMode because it gives them the ability to adjust their mix from one song to the next without having to signal the engineer at the soundboard. This means they can have exactly the right balance for every song with a minimum of fuss and distraction.

Other possible MixMode configurations:

• One channel is lead instruments and the other is the rhythm section
• One channel is the band's monitor mix and the other is crowd noise
• One channel is the musician's mix and the other is a click track